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If you have multiple control surface units, you can define how they relate to each other surfave creating control contfol groups. A control vest group consists of multiple devices that you combine to create a single, unified virtual control surface.

You can create up logic pro x best control surface free download 20 control surface groups. Each group can consist of any number of physical devices.

The only limiting factor is the number of available ports. You can independently determine the default behavior of each device dowload a group.

For more information, see Control surface Device parameters in Logic Pro. Note: Assignments created dowjload Lua scripts are created within a separate top-level modeless zone that is named after the bets. These assignments are always active and interact with Control Surface Group surfae. In the Setup window, drag the icons of control surfaces you want to group so they form a single horizontal row.

The order of icons from left to right defines the order in which tracks and parameters are arranged and dowjload on grouped devices. In the Setup window, arrange the control surface icons in separate rows—that is, one above the other. The top row, consisting of the Logic Control and Logic Control XT, forms a single control surface group with 16 channels. Logic pro x best control surface free download Control controls channels 1 to 8 and the XT unit controls channels 9 to In the second row, the HUI and Mackie Control C4 form a second control surface group, controlling instruments on channels 1 to 8 and auxes on channels 9 to This allows you to access, edit, and automate different sections of the Logic Pro Mixer.

In the example above, the units logic pro x best control surface free download the top row could be used to control audio and MIDI logic pro x best control surface free download strips. In the second row, the HUI could be used to edit group definitions, and the C4 could be used to control aux channel strips 1 to 8. The Oxygen 25 is a Lua supported device photoshop cs2 is set to a default modeless zone assignment.

The physical placement of units and the way you use them are completely cotnrol. Note: In most situations, the placement of your control surface units in relation to each other should be the same onscreen as in the real world. Once you have created a control surface group, you can change the way it operates in the Setup window. Pictured below is a multiple group example with several devices: The top row, consisting of the Logic Control and Logic Control XT, forms a single control surface group with 16 channels.

In the third row, the Oxygen 25 forms a single unit control surface group.


 
 

 

Logic Pro User Guide – Logic pro x best control surface free download

 

The order of icons from left to right defines the order in which tracks and parameters are arranged and displayed on grouped devices. In the Setup window, arrange the control surface icons in separate rows—that is, one above the other. The top row, consisting of the Logic Control and Logic Control XT, forms a single control surface group with 16 channels. Logic Control controls channels 1 to 8 and the XT unit controls channels 9 to In the second row, the HUI and Mackie Control C4 form a second control surface group, controlling instruments on channels 1 to 8 and auxes on channels 9 to This allows you to access, edit, and automate different sections of the Logic Pro Mixer.

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Channel Strip View Mode pop-up menu: Choose one of the following views: Arrange: The channel strips on the device correspond to Logic Pro channel strips as they appear in the Mixer window. The layout of channel strips matches the way tracks are laid out in the Tracks window. Channel strip 1 in the Mixer window is equivalent to channel 1 on the control surface, channel strip 2 in the Mixer is equivalent to channel 2, and so on.

Instruments and channels used by multiple tracks are merged into one channel. This is the default mode of most devices, including the Mackie Control. All: The channel strips on the device correspond to Logic Pro channel strips of certain types, such as MIDI or aux channels, independent of their use in tracks.

Control surfaces that support this view generally allow you to define which channel types you want to display. Tracks: This view is similar to Arrange view, but individual channel strips are shown when multiple tracks address the same channel. Typically, this is a software or MIDI instrument channel, with several tracks routed to it.

You can determine which parameters are edited by the channel strip controllers on the control surface. Note: The View is a property of the control surface group, not a global setting. One group can display busses, while the other shows tracks, for example. Fader Bank for Tracks View: Drag vertically, or enter an integer value to offset which tracks are controlled by the channel strips of the device in Tracks view.

For example, if your device has eight channel strips, these might normally be assigned to audio channel strips 1 8 in Logic Pro. Fader Bank for All View: Drag vertically, or enter an integer value to offset which Logic Pro channel strips are controlled by the device in All view. This parameter is only available when multiple channel strip types are displayed in the Mixer. When single channel strip types are displayed, there are separate fader bank parameters.

These aren t displayed in the parameter list. Channel Strip Parameter pop-up menu: Choose which function is controlled by the channel strip encoders on the device. The choices are: Volume: Encoders adjust channel volume. Pan: Encoders adjust channel panorama position. Format: Encoders adjust or select channel format. Input: Encoders adjust or select channel input source. Automation: Encoders adjust or select channel automation mode. Group: Encoders adjust group membership of the track.

Editing the parameter allows you to set either no group or a single group. Enabling membership of multiple groups is not possible. This can only be done directly in the Logic Pro Mixer. Displayed Par. This is especially useful if you set the control surface to Arrange view, and your Tracks window shows multiple automation subtracks with Logic Pro parameters.

Surround Parameter pop-up menu: Choose the surround parameter that the rotary encoders will control. The choices are: Angle: Encoders adjust surround angle. Diversity: Encoders adjust surround diversity direction. Spread: Encoders adjust the Spread parameter of Stereo to Surround channel strips. X: Encoders adjust surround X position. Y: Encoders adjust surround Y position. Center: Encoders adjust the Center channel level. Note: The X and Y parameters are a different representation of the Angle and Diversity parameters, and thus are independent of them.

The X and Y parameters support the use of surround joysticks. The choices are: Frequency: Encoders adjust the frequency of the selected band. Gain: Encoders adjust the gain of the selected band. Q: Encoders adjust the Q factor of the selected band. The Channel and Linear Phase EQs feature eight bands per audio channel, with each band offering four parameters.

All of these parameters can be accessed with your control surface. If your control surface does not display all EQ parameters at once, you view them by stepping through the parameter pages in sequence. For example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view.

You then need to switch by a page to access parameters 9 to Control Surface Group send and plug-in parameters The parameters in the middle of the Control Surface Group parameters let you control different operational aspects when working with send and plug-in parameters. Send and plug-in parameters Send Slot: Drag vertically, or enter an integer value to set the currently selected Send slot. The default is 1, which sets the first top Send on each channel as the Send slot.

A value of 2 sets the second send as the Send slot, a value of 3, the third Send slot, and so on. The choices are: Destination: Encoder is used to determine the bus channel number for the Send slot.

Level: Encoder is used to adjust the Send level. Send Parameter Page: Drag vertically, or enter an integer value to set the current page for the Send parameters. Up to 32 parameters are available in Send Channel Strip view for a given channel eight Send slots multiplied by the four parameters listed above. Split: no. The remaining encoders belong to Split Lower. A value of 0 means that Split mode is off all encoders are assigned to the Split Upper area.

They are called Split Upper and Split Lower. Instrument Parameter Page: Drag vertically, or enter an integer value to determine which parameter is assigned to the leftmost encoder when editing a software instrument. The next instrument parameter is assigned to encoder 2, and so on. This applies to Split Upper when Split mode is turned on. Inst Param Page Split Lower : Drag vertically, or enter an integer value to set the parameter that is assigned to the leftmost encoder of Split Lower when editing a software instrument when Split mode is turned on.

Insert Slot: Drag vertically, or enter an integer value to set the current Insert slot number, both for selecting a plug-in in Plug-in Channel Strip view and for editing its parameters. The default is 1, which sets the first top plug-in slot on each channel as the Insert slot. A value of 2 sets the second plug-in slot as the Insert slot, and so on. This applies only to Split Upper when Split mode is turned on.

Insert Slot Split Lower : Drag vertically, or enter an integer value to set the current Insert slot number for Split Lower when selecting or editing a plug-in when Split mode is turned on. Note: The effect plug-in and instrument page parameters are kept separate because this allows you to quickly switch between editing an instrument and editing an effect plug-in on a channel, without adjusting the parameter page every time.

Plug-in Parameter Page: Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder when editing a plug-in. The next plug-in parameter is assigned to encoder 2, and so on. Plug-in Param Page Split Lower : Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder of Split Lower when editing a plug-in with Split mode turned on.

Channel Strip Track: Drag vertically, or enter an integer value to define which track is displayed for Channel Strip views.

Channel Strip Track Split Lower : Drag vertically, or enter an integer value to define which track is displayed in the Split Lower section of the control surface for Channel Strip views, when Split mode is turned on. Track Lock checkbox: Click to determine how the control surface responds when a track is selected in Logic Pro in essence, this remotely affects the Track and Track Split Lower parameters.

When Track Lock is turned on, the control surface group continues to display the same track, independent of the currently selected track in Logic Pro. When Track Lock is turned off, the control surface group automatically switches to the track selected in Logic Pro. Other parameters Track Name Format: Choose whether the track name display shows only the track name or the track name and number. Parameter Page Shift Mode: Choose whether the parameter is shifted by one page or by one parameter.

Relative Change Mode: Choose the mode for controller assignments that support a Relative Value Change mode rotary encoders, for example.

The choices are: Coarse: The parameter is adjusted in coarse steps. Full: Rotating the encoder to the right sets the maximum value and rotating it to the left sets the minimum value.

The encoder also stops at its default value. For example, when the Pan knob is left of center, turning the encoder to the right initially sets the Pan parameter to the center position its default value. A further turn to the right sets Pan to full right its maximum value. Fine: The parameter is incremented or decremented in fine steps by one tick or other unit. In this mode, the highest possible resolution is used.

For example, when editing the Sample Delay plug-in s Delay parameter, every encoder tick increases or decreases the value by 1 sample, regardless of the resolution value. Mix Group: Drag vertically, or enter an integer value to determine which group is edited when in Group Edit mode. Group Parameter Page: Drag vertically, or enter an integer value to define which parameter of the edited group is assigned to the leftmost encoder.

Important: If you want to make changes to the default assignments of control surfaces, you need to use the Controller Assignments window Easy view or Expert view. See Controller assignments overview. Click the General or Help Tags tab to access the associated preferences.

This command is useful for silencing motorized control surface faders when recording in the same room. General preferences Bypass All while in background checkbox: Turn on to allow your control surface to be shared with other applications, when Logic Pro is not the active program. Resolution of Relative Controls slider: Drag to set the resolution of controls that change values in a relative manner. The default resolution is steps. Choose a higher resolution value to divide the value range into finer increments.

You can adjust the value if MIDI or automation playback is being affected. Touching fader selects track checkbox: Turn on to select the track corresponding to the fader when you touch a fader on the control surface. Note: This feature works only with devices that have touch-sensitive faders. Control surface follows track selection checkbox: Turn on to automatically select the corresponding track or channel on the control surface when you select a track in the Tracks window.

It is definitely not a DAW controller aimed at someone looking to replicate the tactile experience of recording with a mixing desk. Although it does offer some mixing controls via the encoders, they are very limited. In addition, it is only fully integrated with Ableton Live, meaning that using any other DAW will require extensive mapping and configuration.

Unlike Pro-Tools or Ableton Live, however, until very recently, there were no dedicated hardware controllers on the market for it. The Akai Profession Fire exists to remedy that situation. By default, it is the best dedicated hardware solution for working in FL Studio. It is designed with affordability in mind; however, that is not to say it feels cheap.

It is lightweight but should be robust enough to handle life on the road. In addition, the hands-on sequencing positively affects workflow, taking the hassle out of programming a beat on screen and allowing greater concentration on creativity. The number of pads squeezed onto a compact surface makes finger drumming somewhat difficult. Certain aspects of the controller are quite limited, such as only having two velocity levels.

Although it offers mix controls, they are rudimentary. Not an ideal choice if you are looking for a more traditional mixing desk experience.

Its big brother, the Launch Control XL, as the name implies, is a larger format take on the same idea, increasing the number of knobs and buttons, as well as adding faders for easier mixing and faster workflow. It is designed to act as a companion device to the Novation Launchpad S. Both controllers are the same size, so they could easily sit side by side on a desk with the Launch Control operating the mixing side of Ableton, while the Launchpad S handles the sampling and virtual instruments.

The layout is simple and easy for anyone with basic knowledge to understand. A huge amount of functionality and flexibility is packed into a small, well-constructed, affordable package. Ideal for home studios or live use in a situation where more expensive equipment may get damaged. Will need extensive mapping to be used with other DAWs. It is impossible to change the function of the send knobs, and in User mode, none of the knobs can be changed, which is a real disadvantage.

You can make an argument that mixing a project with physical faders and knobs is as much of a musical performance as the song itself. To bring that performative aspect of mixing back the world of DAWs.

It is solidly built and competitively priced, coming in at a similar price point, with similar features to the Behringer X-Touch. DAW compatibility is not an issue, as it has pre-mapped overlays for 14 popular DAWs and slots for user-defined mapping. It is also class compliant, so it should not present any installation issues with most computers.

The layout is easy to understand, and the build quality and features offered at this price make it an excellent choice for musicians working at any level. The LCD screen can easily become crowded with lots of information, which is truncated to the point of being meaningless unless tracks are labeled with this in mind, creating an additional step to your workflow that could slow things down. With many musicians recording in small bedrooms or playing gigs in tiny venues with limited space on stage for excessive amounts of gear, then something smaller can be ideal.

Offering control over instruments, effects, lighting, and other basic functions of your DAW at a very low price. A great amount of control is offered in a small portable package.


 
 

Logic pro x best control surface free download.10 Best Control Surfaces For Logic Pro X [Updated ]

 
 
At the other end of the spectrum, the Avid Pro Tools S3 offers the most extensive control and connectivity options in one box, ideal for professional use in large studio settings or live venues. The buttons are also pretty well-spaced apart from each other, making button pressing on the fly even easier. Chapter 2 Basic control surface setup In addition, the hands-on sequencing positively affects workflow, taking the hassle out of programming a beat on screen and allowing greater concentration on creativity. Control surfaces are meant to augment your Logic Pro X experience, not detract from it. This manual applies to 1. In this article Julian shares the reasons he chose the Avid S1 as his product of Note: This feature works only with devices that have touch-sensitive faders. The software described by this document.